I’ve had a lino-block in my studio for some months, one I made an image for and carved, but all my experiments didn’t work out right. I couldn’t print from it to my satisfaction. Mid-week I decided to do something about it and got out my knives, gouges, other equipment, printing inks, brayers, and medium-size baren. I was going to rework the block and get busy. I wanted to use if for a card to send one of my grandsons for his birthday.
I really liked the design, one inspired by a Ute petroglyph out in western Colorado along the Gunnison River. I’ve seen drawings of the original and photographs but have never encountered it on the cliff wall where it shares space with a couple of other impressive carvings. I looked at it, tried it one more time with a different ink, but still decided it need more strength, the kind that comes from contrast. The original is a work that one anthropologist described as new-style given that the chipping that creates it simply removes the outer layer of weathered rock to create the design. In contrast to what he called old-style, the artist did not make deep gouges into the surface but seemed contented with the color contrast. So I figured it might work better if I were to remove the lino right around the figure itself and finish it with a border. Parts of the figure would interrupt the border.
I set to work, selecting a medium large gouge and taking care not to let my fingers get in the way of the sharp instrument should it slip. Oh it did slip a few times, but mostly I was safe and am pleased I didn’t end up with bandages like sometimes I’ve done this work. I brushed off the waste into the trash and wiped the block with a damp cloth. Then I gathered a few pieces of paper to make some proofs and see what I had got. I like what I did and used the rest of the ink to print another block I made years ago. What ink was left on the surface where I rolled it out I drew into and lifted another print from that, an abstract I may mess more for a mixed media piece. I try not to waste any product.
And along the way I found I wanted to hang a few small prints at the Colorado Mountain Art Gallery in Georgetown. Guess I’ll have to work quickly since I work up in the hills this Tuesday.
Denver, 2014
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